Baudelaire delves deeper into the essence of a flaneur, describing it somewhat as a person driven by curiosity.
One who is hungry for knowledge and experiences, in constant pursuit of the unknown.
Whitman’s persona in Song of Myself undoubtedly has an abundance of experiences to share, and is therefore indeed an observer of the world; a man of the world, but whether he has pursued these experiences with the attitude, curiosity and hunger characteristic of a flaneur or merely had them by means of existing hinders his qualification to be flaneur. Much of the definition being communicated through the behavior and characteristics of his main character Monsieur G.
who he describes as ‘a man of the whole world, a man who understands the world and the mysterious and lawful reasons for all its uses…’(Baudelaire 7).
Charles Baudelaire (1821-67) was a leading poet and novelist in nineteenth who also devoted a considerable amount of his time to criticism.
Indeed it was with a Salon review that he made his literary debut: and it is significant that even at this early stage - in 1845 - he was already articulating the need for a painter who could depict the heroism of modern life.This volume is extensively illustrated with reproductions of works referred to in the text and otherwise relevant to it.It provides a survey of some of the most important ideas and individuals in the critical world of the great poet who has been called the father of modern art criticism.This he was t...(展开全部) Charles Baudelaire (1821-67) was a leading poet and novelist in nineteenth who also devoted a considerable amount of his time to criticism.This he was to find in Constantin Guys, whom he later celebrated in the famous essay which provides the title-piece for this collection.4 18 Frascina, Modernity and Modernism: French Painting in the Nineteenth Century, p. In that it is a depiction of a modern subject realized in an equally modern painting method, 'Music in the Tuileries Gardens' is considered a seminal work and a catalyst for Impressionism.19 As indicated by their very appellation, the Impressionist painters of the 1870s strived to translate the fleeting impressions of their surroundings onto canvas. Gustave Caillebotte, despite his realistic style and emphasis on drawing (a loose handling of paint, and focus on colour and light, exemplified in works by Monet, are elements typically associated with Impressionism), shared the Impressionist commitment to rendering the optical experience of transient reality and was closely associated with the group. Works Cited Baudelaire, Charles, and Jonathan Mayne. "The Artist, Man of the World, Man of the Crowd and Child." The Painter of Modern Life, and Other Essays. The painter of modern life -- The life and work of Eugène Delacroix -- Edgar Allan Poe: his life and works -- Further notes on Edgar Allan Poe -- Wagner and Tannhäuser in Paris -- On the essence of laughter -- Some French caricaturists -- Some foreign caricaturists -- A philosophy of toys -- Philosophic art. We apologize for any inconvenience, and thank you for your visiting.