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Though his aunt continued to pray for him, nothing happened. He wondered what God thought of Westley; God had not, after all, struck him dead for lying.
His short story "Salvation," published as a chapter in his autobiographical work relates an experience in a twelve-year-old boy's life.
This event helped shape the boy's religious understanding far differently from what his Auntie Reed intended.
It’s a short narrative on a significant part of Hughes’ childhood as a Christian whereby it gives a description of a religious service that is taking place in an African-American church that sees the need for an individual to be ‘born again’ as a basic requirement for salvation.
Furthermore, individuals that are not saved are considered to be sinners.
So he stood up, and the whole congregation burst into shouts of joy.
For the first time in his life, later that night, he cried.
From Hughes’ narration, the salvation or the assimilation of the African-Americans into Christianity depicts the assimilations of the people into the white community.
Therefore, Hughes uses the element of symbolism to illustrate his childhood experience with the Christian doctrine in regards to color.
In "Salvation," the young African American narrator attends a religious revival with Auntie Reed, a devout Christian.
She tells him that when Jesus comes into his life, he'll see a white light signifying that he has been saved. Langston Hughes, a poet, novelist, playwright, and short story writer, belonged to the group of black artists known as the Harlem Renaissance.