With East Coast Artists, Schechner has directed Faust/gastronome (1993), Anton Chekhov's Three Sisters (1995), William Shakespeare's Hamlet (1999), and Schechner's and Saviana Stanescu's Yokasta S (2003, Yokasta S Redux 2005), Lian Amaris's Swimming to Spalding (2009), Imagining O (three versions: 2011, 2012, 2014).
With East Coast Artists, Schechner has directed Faust/gastronome (1993), Anton Chekhov's Three Sisters (1995), William Shakespeare's Hamlet (1999), and Schechner's and Saviana Stanescu's Yokasta S (2003, Yokasta S Redux 2005), Lian Amaris's Swimming to Spalding (2009), Imagining O (three versions: 2011, 2012, 2014).Tags: How To Write A Scholarship Application EssayHow To Sell A Business PlanPlastic Surgery EssayCell Phones Banned While Driving EssayFamily Business PlanBiographical Narrative EssaysEssay For My HometownEssay About Someone Who Impacted Your LifeOf A Research Paper Proposal
Important because theatre deserves what other disciplines have, a consistent, intelligent, effective, and reciprocal exchange between theorists and practitioners.…
The critic’s function is to analyze, the practitioner’s function is to do, and the theoretician forges the middle link between analysis and action.
Schechner is currently editor of the Enactments series published by Seagull Books and editor of the Worlds of Performance series published by Routledge.
Richard Schechner, one of the founders of Performance Studies, is a performance theorist, theater director, author, editor of TDR and the Enactments book series, University Professor, and Professor of Performance Studies.
Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner.
For more than four decades his work has challenged conventional definitions of theatre, ritual and performance.With two exceptions, I wrote the essays in this book between 19. My interests had dramatically shifted from theater to performance and from aesthetics to the social sciences.Today I write “performance, ” but at the time I wasn't sure what performance was.I knew it was more than what was appearing on the stages of New York, London, or Paris.From the advent of Happenings in the early 1960s to the vibrant enactment on American streets of what Victor Turner termed “social drama” - the freedom movement led by thousands of ordinary people but iconicized in the eloquent words and enacted testimony of Martin Luther King, Jr.His theatre work has been seen in Asia, Africa, Europe, and North America.He has directed performance workshops and lectured on every continent except Antarctica.I “found” social and cultural anthropology extremely useful because in ethnographies and theoretical treatises anthropologists treated the actual lived behavior of people performatively.Taking a cue from Erving Goffman's 1959 breakthrough book, The Presentation of Self in Everyday Life, I sensed that performances in the broad sense of that word were coexistent with the human condition.- I discovered that performance can take place anywhere, under a wide variety of circumstances, and in the service of an incredibly diverse panoply of objectives.My experiences as a civil-rights and anti-Vietnam War activist, and a sometime participant-creator of Happenings, pointed me toward a whole new range of research.