Essay On Realism And Artistic Creation

But realism as a distinct style and literary movement dates back to France in the early 1800's.That was when authors began writing works that possessed several unique characteristics: The stories, or plots, were simple and were secondary to the characters; the characters tended to be from the lower or middle class and spoke as people really did, not in poetic language; and the author's voice, such as in comments or asides, was rarely (if ever) heard.The Ashcan School flourished during the late 1800's and early 1900's in the United States.

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In general, realism in art and literature refers to the attempt to represent familiar and everyday people and situations in an accurate, unidealized manner.

More specifically, the term "realism" refers to a literary and artistic movement of the late 1800's and early 1900's. Romanticism was an earlier movement that presented the world in much more idealized terms.

They have also made sculptures of human figures so lifelike that they are mistaken for real people.

This kind of realism is often called photorealism or superrealism.

His plots, however, retained the romantic quality of melodrama.

Gustave Flaubert's Madame Bovary (1857) was the first major work to fully embrace the realist style.Naturalist authors also wrote about common people and everyday situations.But they studied human beings and their behavior with the objectivity of scientists.Honoré de Balzac led the way with his masterwork, The Human Comedy (1824-47).In this series of novels and stories, the lives of every class of people come alive on the pages through long, lively descriptions.C.), sculptors began depicting people as they really appeared.Previously, people had been portrayed according to the Greek concept of the ideal human form.Almost every work of literature has some degree of realism.This is because it is important for readers to recognize and identify with the characters and the world they inhabit.The realists wanted to break away from the formal artistic styles and subjects of the past.So they created objective, unemotional works that were unadorned with imaginative flourishes.