Only a madman could produce a treatise on the theory of the theater of cruelty which is only justified within the logic of its own internal convoluted self-correcting paradigm.
Only a madman could produce a treatise on the theory of the theater of cruelty which is only justified within the logic of its own internal convoluted self-correcting paradigm.Tags: Str 581 Research ProposalPay Someone To Write PaperTopics For Creative Writing For Grade 6Best Essayist 21st CenturyArgumentative Essay On Arizona Immigration LawAnnotated Bibliography Introduction
With the publication of Artaud's Collected Works, in four volumes, English readers have been granted access to the range of Artaud's literary output, which extends well beyond his contributions to the theatre. They have live roots, roots of anguish that reach the heart of life. One does not feel in them the cosmic afflatus of a soul that has been shaken to its foundations.
The first volume of Artaud's Collected Works is divided into two parts that contain seven works: "Correspondence with Jacques Rivière", "Umbilical Limbo", "Nerve Scales", "Art and Death", "Unpublished Prose and Poetry", "Cup and Ball", and "Seven Letters"; along with an Appendix that includes Early Poems and other uncollected works... Dear Sir, .............................................................................. My mental life is completely shot through with petty doubts and unarguably certainties that are expressed in lucid and coherent words. They are the weaknesses of a mind that have not pondered its weakness; if it had, it would render that weakness in dense and forceful words.
When you look at his life, the intense amount of pain the poor man went through: electroshock therapy, being confined to insane asylums, heroin addiction, severe migranes, the rejection of the actual practice of his theories whereas the actual theoretical principles were extremely influential.
It must be very distressing to see the failure of the existence of a correspondence between praxis and theory, which begs the question that it is truly the insane which have created this solipstistic universe that reinforces their convictions independent of the strictures of reality and the social universe.
These foolhardy works often seem to you the product of a mind which is not yet in possession of itself and which perhaps never will posses itself, but who knows what brain they conceal, what power of life, what mental fever which circumstances alone have reduced. Then feet, hands, scalps, masks, colonnades, porticoes, temples, and alembics, falling slower and slower as if through space, then three scorpions one after the other and finally a frog, and a scarab which lands with heart-breaking, nauseating slowness.]YOUNG MAN [shouting at the top of his voice]: Heaven's gone crazy. [Pushes the GIRL off ahead of him]Who, in the heart of some anxiety at the bottom of certain dreams, has not know death as a marvelous, disruptive feeling which could never be confused with anything else of a mental order?
Enough about myself and about my works that are still unborn. Antonin Artaud YOUNG MAN: I love you and everything is fine. One must have experienced with this exhausting crescendo of anguish which comes over one in waves and then swells one up as if forced by some unbearable bellows.
GIRL [in a quickened, throbbing voice]: You love me and everything is fine. YOUNG MAN [in an exalted, high-pitched tone]: I love you. Anguish which draws near then withdraws, each time stronger, more ponderous and replete. In the order of physical experience, this distension is like an inverted image of the contraction which takes possession of the mind over the whole extend of the living body.[...]The sexual street comes to life Along the ill-shaped fronts, The cafés, chirping with crimes, Uproot the avenues.
YOUNG MAN [lower]: I love you and everything is fine. This is the body itself, having reached the limit of its strength and distension, and yet must go on. Sex's hands burn their pockets While their bellies seethe down below; The thoughts all clash, The head less than the holes.
The first volume of the "Collected Works" contains the important correspondence with Jacques Riviere, and Artaud's extraordinary explorations of consciousness and creativity in Umbilico Limbo and Nerve Scales, as well as essays on life and death, suicide, drugs, lunacy, religion and art, poems, manifestos, the terrifying short play Collection of plays, letters, and essays.
The first volume of the "Collected Works" contains the important correspondence with Jacques Riviere, and Artaud's extraordinary explorations of consciousness and creativity in Umbilico Limbo and Nerve Scales, as well as essays on life and death, suicide, drugs, lunacy, religion and art, poems, manifestos, the terrifying short play The Spurt of Bloodletters and other material.