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If the man that should be his father does not like him, it does not give him much hope with other people.
He also believed the monster to have ‘happy’ and ‘excellent’ nature and be ‘beautiful’.
His words betrayed him when the monster was created.
Mary Shelley might have written ‘Frankenstein’ because she was challenged by her husband and Lord Byron to see who could write the best horror story while they were staying at Villa Diolati by Lake Geneva in Switzerland.
Her father was interested in Galvanism- running electric currents through the body to restore it to life.
Ignoring the superficial differences like appearance (Shelley’s original Frankenstein was a yellow, black-lipped brute compared to the commonly-referenced green-skinned, flat-headed “pop” monster), the differences between the two monsters can be broken down into the cause of their supposed villainy (the cause of the villainy of the novelistic monster is up for debate, the film monster not so much) and their treatment of people when society shuns them, ostracizing them from all companionship.
In Frankenstein, directed by James Whale, the creation of the monster varies wildly from its conception in the original novel. Henry (changed from the original Victor) Frankenstein’s assistant Fritz attempts to steal the brain of a knowledgeable scientist in order to implant it in the monster. If you don’t even have a hint on how to write your paper, check out our blog for guides that describe how to write different types of papers in detail.Mary Shelley’s, character of Frankenstein’s monster, has entered the cultural mythos in almost all art forms, especially film. If you are writing an essay on “Frankenstein” for the first time, then our “Frankenstein” essay topics will be a great help for you.If you paid attention to our topics, you can get a perfect theme for your essay, or even research paper or term paper.The creature’s depiction on film created an entirely new character in the social consciousness, splitting the character of Frankenstein’s monster into two distinct forms: the childlike creature made famous by Boris Karloff, and the articulate, revenge-obsessed creature from the original novel. An analysis of the similarities and differences between the two characters reveals that the film Frankenstein is a much more sympathetic creature than Shelley’s original creation. Firstly, Shelley tries to create sympathy for the monster by describing his appearance in a unique yet horrific way: he’s ‘gigantic’; ‘about eight feet’; ‘deformed’; ‘black lips’ and lastly, ‘yellow skin scarcely covered the work of muscles and arteries beneath’.When you link these descriptions together, Shelley creates a vivid, unnatural image of the monster in the mind’s eye. "Monstrosity, Suffering, Subjectivity, and Sympathetic Community in "Frankenstein" and "The Structure of Torture"" Science Fiction Studies (2009): 205-16. "Frankenstein and the Mute Figure of Melodrama." Modern Drama 55.4 (2012): 437-58.