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One of Shakespeare's characters made of low comedy and burlesque, Dogberry here becomes a recycled grotesque modeled on Keaton's performance in "Beetlejuice." Does the approach work?Probably not as Shakespeare, because it seems to come from another universe than the one inhabited by the other characters in the play.His "Dead Again" hurtled headlong into the juiciness of the murder-and-reincarnation genre.
It is farce and mime and wisecracks, and dastardly melodrama which all comes right in the end, of course, because this is a Comedy.
The key to the film's success is in the acting, especially in the sparks that fly between Branagh and Thompson as their characters aim their insults so lovingly that we realize, sooner than they do, how much they would miss their verbal duets.
Much Ado is of the comedy genre as it contains humorous scenes and ends happily, however the play Prose predominates in comedy and where a conversational rather than an emotional or imaginative effect if desired, this strengthens the argument that Much Ado is a comedy.
Shakespeare wrote the play mostly in prose form except for scenes of extreme emotion and feeling, "could she here deny…thou wouldst not quickly die" as when Hero's unfaithfulness was enlightened at the church to Leonato.
"Much Ado About Nothing" is a play categorised as a comedy, and written by the dramatist William Shakespeare.
A comic play is usually accepted to be a light-hearted play with a happy conclusion.Claudio (Robert Sean Leonard), Don Pedro's follower, casts eyes on the beautiful Hero (Kate Beckinsale) and is immediately possessed by love. Meanwhile, the older Benedick (Branagh) and Beatrice (Emma Thompson) feel a powerful attraction, too, but it is expressed through barbed insults and verbal sparring.Sometimes when people are frightened by the love they feel, it comes out through mock hostility.A play like "Much Ado About Nothing" is all about style.I doubt if Shakespeare's audiences at the Globe took it any more seriously than we do.Sunshine and laughter, and merrymakers on a hillside sprinkled with flowers.In the opening scene of "Much Ado About Nothing," Kenneth Branagh insists on the tone the movie will take: These are healthy, joyful young people whose high spirits will survive anything, even the dark double-crosses of Shakespeare's plot. The first, Claudio and Hero, are destined to be almost torn apart by the treachery of others.You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie."This play we must call a comedy, tho' some of the incidents and discourses are more in a tragic strain; and that of the accusation of Hero is too shocking for either tragedy or comedy" (Charles Gildon 1714) How far do you accept this comment about the play's events and language?It is entirely appropriate that it has been released in the springtime.The Ebert Club is our hand-picked selection of content for Ebert fans.