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In the next act, Gertrude tells Claudius of Polonius' murder, convinced that Hamlet is truly mad.
Indeed, they are famously mentioned in Hamlet, in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (unfledged hawks).
Eileen Herlie portrayed Gertrude in Laurence Olivier's 1948 Hamlet.
In Ryan Imhoff's Chicago production of "The Hamlet Project", Gertrude is played by critically acclaimed actress Angela Morris.
Tabu played Gertrude who was named Ghazala in the 2014 acclaimed Bollywood adaptation of Hamlet, Haider.
In the 1940s, Ernest Jones—a psychoanalyst and Freud's biographer—developed Freud's ideas into a series of essays that culminated in his book Hamlet and Oedipus (1949).
Influenced by Jones's psychoanalytic approach, several productions have portrayed the "closet scene", where Hamlet confronts his mother in her private quarters, in a sexual light.
Her worry over him continues into the second act, as she sides with King Claudius in sending Rosencrantz and Guildenstern to raise the spirits of her son.
Also, rather than ascribing Hamlet's sudden madness to Ophelia's rejection (as thought by Polonius), she believes the cause to be his father, King Hamlet's death and her quick, subsequent marriage to Claudius: "I doubt it is no other but the main; His father's death and our o'erhasty marriage." In Act three, she eagerly listens to the report of Rosencrantz and Guildenstern on their attempt to cheer him, and supports the King and Polonius' plan to watch Hamlet from a hidden vantage point as he speaks with Ophelia, with the hope that her presence will heal him.
In the final scene, Gertrude notices Hamlet is tired during the fight with Laertes, and offers to wipe his brow.
She drinks a cup of poison intended for Hamlet by the King, against the King's wishes, and dies, shouting in agony as she falls: Other characters' views of the Queen are largely negative.