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He is disturbed to know, however, that there are parts of his relationship with the girl he does not even remember, on account of steady inebriation.The play’s final, perplexing scene, in which Arthur learns that a girl really has committed suicide, again raises the question of culpability among the characters.Arthur is more concerned with the family’s good name, and Sybil believes that in denying Eva/Daisy charity, she did what any person in her position should have done.
In this way, guilt plays an important role in the Inspector’s politics.
Although he does not describe his politics explicitly, he appears to be a socialist, and for him, socialism demands that human beings look out for one another, do their absolute best to avoid harming each other.
The act of killing oneself, or of losing oneself entirely, is central to the play’s events.
The play’s predicament is the supposed death of a girl named Eva Smith, or Daisy Renton.
Arthur, Sybil, Sheila, Eric, and Gerald must come to terms with their guilt, leading to Eva/Daisy’s demise.
An Inspector Calls Collective Responsibility Essay Business Plan For Existing Business
The Inspector wants the family to accept the pain it has caused Eva/Daisy.The Inspector implies that if men and women continue to behave callously to one another in the industrialized countries of the West, then those countries, as entities, will “commit suicide.” That is, the Inspector’s warning to the Birlings foreshadows the cataclysms of the World Wars One and Two, which the audience in 1946 would understand to follow quickly upon the events of the play.Throughout his questioning, the Inspector takes on the role of a professor or guide.When Sheila returns to the room, the Inspector begins interrogating her.It is revealed that Sheila got a girl fired from Milward’s, a local shop, for giving Sheila mean looks as she was trying on clothing.Arthur Birling has convened a dinner for the engagement of his daughter, Sheila, to her boyfriend, Gerald Croft.Arthur and his wife Sybil seem happy, although Sybil is reserved at the meal.But if, the playwright implies, the dead person at the close of the play is the same person with whom each character has interacted, then their guilt is no longer individual, but instead collective, although only Sheila seems to understand this fully.Priestley leaves this question open as the play ends.When people do wrong, they must then explain, to themselves and others, the wrongness of their actions.Sheila is the most willing to see that she has erred, in having Eva/Daisy removed from her job at Milward’s.